The Sane Rendering Manifesto

the_sane_rendering_manifesto.md

The Sane Rendering Manifesto

The goal of this manifesto is to provide an easy to follow and reasonable rules that realtime and video game renderers can follow.

These rules highly prioritize image clarity/stability and pleasant gameplay experience over photorealism and excess graphics fidelity.

Keep in mind that shipping a game has priority over everything else and it is allowed to break the rules of the manifesto when there are no other good options in order to ship the game.

Do not use dynamic resolution.

Fractional upscaling makes the game look bad on most monitors, especially if the scale factor changes over time.

What is allowed:

1. Rendering to an internal buffer at an integer scale factor followed by blit to native resolution with a point/nearest filtering.
2. Integer scale factor that matches the monitor resolution exactly after upscaling.
3. The scale factor should be fixed and determined by the quality preset in the settings.

What is not allowed:

1. Adjusting the scale factor dynamically at runtime.
2. Fractional scale factors.
3. Any integer scale factor that doesn't exactly match the monitor/TV resolution after upscale.
4. Rendering opaque and translucent objects at different resolutions.

Implementation recommendations:

1. Rendering at lower resolution internally, but outputting to native.
2. Render at lower resolution render target, then do integer upscale and postprocess at native resolution.
3. Use letterboxing to work around weird resolutions.

Do not render at lower refresh rates.

Low refresh rates (under 60Hz) increase input latency and make the gameplay experience worse for the player.

What is allowed:

1. In case of a high refresh rate monitors (90Hz, 120Hz, 244Hz etc) it is allowed to render at 60Hz.
2. It is always allowed to render at the highest refresh rate the hardware supports, even if it's lower than 60Hz (for example incorrect cable/HW configuration or user explicitly configured power/battery saving settings).
3. Offering alternative graphics presets to reach target refresh rate.

What is not allowed:

1. Explicitly targeting 30Hz refresh rate during development.
2. Using any kind of frame generation - it does not improve the input latency which is the whole point of having higher refresh rates.

Implementation recommendations:

1. Decouple your game logic update from the rendering code.
2. Use GPU-driven rendering to avoid CPU bottlenecks.
3. Try to target native monitor refresh rate and use the allowed integer scaling to match it.
4. Use vendor-specific low-latency input libraries.

Do not use temporal amortization.

If you cannot compute something in the duration of 1 frame then stop and rethink what you are doing.

You are making a game, make sure it looks great in motion first and foremost. Nobody cares how good your game looks on static screenshots.

In many cases bad TAA or unstable temporally amortized effects is an accessibility issue that can cause health issues for your players.

What is allowed:

1. Ray tracing is allowed as long as the work is not distributed across multiple frames.
2. Any king of lighting or volume integration is allowed as long as it can be computed or converged during 1 rendering frame.
3. Variable rate shading is allowed as long as it does not change the shading rate based on the viewing angle and does not introduce aliasing.

What is not allowed:

1. Reusing view-dependent computation results from previous frames.
2. TAA, including AI-assisted TAA. It never looked good in motion, even with AI it breaks on translucent surfaces and particles.
3. Trying to interpolate or denoise missing data in cases of disocclusion or fast camera movement.

Implementation recommendations:

1. Prefilter your roughness textures with vMF filtering.
2. Use AI-based tools to generate LOD and texture mipmaps.
3. Use AI-based tools to assist with roughness texture prefiltering, take supersampled image as an input and train the AI to prefilter it to have less shader aliasing.
4. Enforce consistent texel density in the art production pipeline.
5. Enforce triangle density constraints in the art production pipeline.

@TheHans255 apply it using common sense and interpret it based on your specific circumstances (I've added a paragraph about it at the start of the manifesto), it's not a set of laws and in the end of the day the most important thing is shipping a game, not blindly following some arbitrary advice on the internet 😄

That's totally fair, though IMO that undermines the weight that something bearing the title of "manifesto" should probably carry. Visual fidelity and performance usually involve tradeoffs with limited resources, after all, and it seems reasonable to say that you should at least initially plan to target 60 FPS, to use either native resolution or integer scaling, and to render all your stuff in one frame, only allowing one of those things to slip if you need to do it to hit a release date. Don't soften your thoughts where you don't have to.

Would we say that 30 FPS could be an acceptable choice for constrained systems like this, or is 60 FPS simply too important for user experience to accept anything less?
would we say that Switch game developers should have spent more time targeting 60 FPS without dynamic resolution for its titles

Like I've said, the most important thing is to ship the game at all. If you're 1 month away from the release date and can't hit 60FPS then realistically what other choices do you have? Provide an option for the player to choose 30FPS at full res or 60FPS with dynamic res and the associated loss of motion clarity and call it a day, there will be time to do it better during your next project.

I agree with that as well, though the question I was posing was more about targeting 30 FPS from the start because you "know" that the hardware can't keep up with 60, which does seem to be a bad thing to do according to this manifesto. (And also, I might aside that really the best choice you have is to abstain from announcing a release date for your game at all until your game has fully gone gold, though I recognize that's not always possible if the game is annualized, or attached to a franchise with other media that all has to release at the same time).

that some of the games that the Switch struggles to run simply should not have been made

Well that's a big stretch, I'm not sure how did you get that conclusion.

I haven't - I was just posing a hypothetical (the other two being "the devs should have given their games more time in the oven" or "the Switch itself should have had more time in the oven to more readily compete with the PS4 and Xbox One"). Though that may well be true for some games - most of the Pokemon releases on Switch are poorly optimized, for instance, and fans have been calling for deannualization of the franchise for years now in order to give these titles the time they deserve (deannualization that would have led to some games not being released yet, or not being released at all, in this timeline).

or that the Switch should have been released with more powerful/expensive hardware that could more readily accommodate the games being written for it?

I think that developers need to have better awareness of the limits of their target hardware, you can do a lot on the Switch with good art direction. There even are many PS2 games that still look gorgeous today, especially in 4K resolution.

I agree, though there is the issue of competition - the Switch is able to easily compete with mobile phones and stuff like the PS Vita in terms of performance, but when connected to a TV or monitor, it has to compete with the Playstation, Xbox, or PC, where it finds itself at a disadvantage. This manifesto would suggest that devs should have focused less on what the Switch's competitors could do and focused more on making a fluid, well-rendered experience for the games they were releasing. (Either that, or that the Switch, being a mobile console that could take a permanent fixture by a TV, was a poorly conceived product and should have either stayed out of the TV space or should have made itself more powerful in order to compete properly and support 60 FPS and fixed resolution in more games.)

Switch's piracy losses were likely due to the fact that Yuzu could run Tears of the Kingdom at 4K/60 FPS, and that Yuzu was able to readily advertise that fact.

Piracy issues are out of scope for this manifesto, let's focus on the technical side of things.

Apologies. I mainly just brought that up to make a point that these sorts of decisions can lead to real, tangible financial losses that might not be worth the money being saved, but we don't have to dwell on that too long.

and it seems reasonable to say that you should at least initially plan to target 60 FPS, to use either native resolution or integer scaling, and to render all your stuff in one frame, only allowing one of those things to slip if you need to do it to hit a release date. Don't soften your thoughts where you don't have to.

Fair enough, I've updated that section again.

I agree with that as well, though the question I was posing was more about targeting 30 FPS from the start because you "know" that the hardware can't keep up with 60, which does seem to be a bad thing to do according to this manifesto.

There are Switch games that target 60 FPS from the start, I don't think they look worse or are worse games because of that. When you're targeting 60 FPS you need to do different type of art direction to make up for less fidelity and I think this is largely ok and accepted by the players.

it has to compete with the Playstation, Xbox, or PC, where it finds itself at a disadvantage.

I don't think that the Switch is trying to compete with PC or other consoles, it has found its own niche and largely does not overlap with the rest of the industry. It does have to compete with the Steam Deck though and I think it's going to be a pretty healthy competition in the future if Valve doesn't abandon it.

There are Switch games that target 60 FPS from the start, I don't think they look worse or are worse games because of that. When you're targeting 60 FPS you need to do different type of art direction to make up for less fidelity and I think this is largely ok and accepted by the players.

Agreed - I was mostly referring to the games that do target 30 FPS for the sake of visuals, such as Zelda: Breath of the Wild, Zelda: Tears of the Kingdom, Mario Kart 8 Deluxe in 3- or 4-player splitscreen mode, Animal Crossing: New Horizons, and all of the mainline Pokemon games, as well as some third party ports like Apex Legends and Fortnite. Pretty much all of those have gameplay that markedly improves when accelerated to a steady 60 FPS (even Animal Crossing, which has timing elements for catching bugs/fish and harvesting minerals).

I don't think that the Switch is trying to compete with PC or other consoles, it has found its own niche and largely does not overlap with the rest of the industry.

Agreed there as well, though it ends up doing that a bit anyway be the fact that it connects to a TV at all, and thus competing for the TV user's attention with other consoles and entertainment devices that rely on that TV. Though admittedly, the fact that the Switch can seamlessly transition from docked to handheld lessens that impact (since the TV can be freed up for another purpose without disturbing the game), though then again, that was hurt by the fact that the JoyCon thumbsticks wore down in a matter of months and made handheld play a lot more expensive or subpar than it should have been.

@ThreatInteractive

I took a look, while I admire your passion, it seems to be very early in the brainstorming phase. I'm all about practical application and testing, so I typically dive into in-depth discussions that have some real-world implementation or prototypes to back them up.

I'm going to have to pass on further review unless you have something concrete to show. I'm fairly busy with the projects that are already in motion.

I hope you understand my perspective and I wish you all the best with the implementation. Let me know if/when you have a working prototype.

@ThreatInteractive I don't like the video for the following reasons:

• You don't present any new information/findings, all the stuff you're talking about is relatively common knowledge and there wasn't anything new for me there.
• There are no actionable items, just 20 minutes of non-constructive flaming
• I think you need to calm down a bit, the world is not ending, there isn't some kind of a graphics mafia oppressing everyone - don't be so angry.

Good luck with your game and further research, I sincerely hope that you succeed.

Hi Kirill!
As far as I agree about TAA and temporal effects, myself prefer more MSAA / SMAA, Im not sure I agree about GI solution which should converge over one frame. I've worked with various GI techniques - LPV propagates over frames / RTXGI accumulate irradiance per probe over frames.
I think we still can try to keep geometry as much sharp as we can, however light can be spatially upscaled / temporaly accumulated because we don't have good solution yet, unfortunately.
Also a question, do you know is it possible to make friends MSAA and V-Buffer? If we render geometry and triangle indices into intermediate buffer, Im not sure how we can utilize MSAA here. Feels like SMAA is only option?

@krupitskas In the visibility buffer shading is decoupled from geometry raster, you can render the VB triangle ID into MSAA and then during shading pass you can fetch individual subsamples and shade them as if they were regular pixels and blend the result, this basically supersampling and I'd say it's not going to be practical. In theory it is slightly cheaper than actual supersampling because you render the triangle ID buffer once, but the shading cost is going to be exorbitant.

LPV doesn't have to propagate over multiple frames, you can run more than one propagation step per frame if performance allows.