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English subtitles for the short cosmic horror film "Pálido Ponto Vermelho" (Pale Red Dot). https://www.youtube.com/watch?v=vua2Xwregvo
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| 1 | |
| 00:00:30,000 --> 00:00:34,500 | |
| INSTITUTE OF ART SCIENCES — UFPA | |
| 2 | |
| 00:00:35,000 --> 00:00:39,500 | |
| BACHELOR'S DEGREE IN | |
| CINEMA AND AUDIOVISUAL — UFPA | |
| 3 | |
| 00:00:50,000 --> 00:00:53,500 | |
| Pillars of Destruction | |
| 4 | |
| 00:00:53,860 --> 00:00:56,640 | |
| In the beginning, | |
| God created everything. | |
| 5 | |
| 00:01:13,100 --> 00:01:16,120 | |
| But His most beloved creation, Man, | |
| 6 | |
| 00:01:16,430 --> 00:01:20,480 | |
| not satisfied with everything, | |
| decided to create even more. | |
| 7 | |
| 00:01:27,280 --> 00:01:29,600 | |
| God created man from clay, | |
| 8 | |
| 00:01:30,020 --> 00:01:33,220 | |
| and Man, with clay, | |
| tried to reach God. | |
| 9 | |
| 00:01:35,000 --> 00:01:37,720 | |
| God created the land and the trees, | |
| 10 | |
| 00:01:38,180 --> 00:01:40,640 | |
| and Man took possession of them all. | |
| 11 | |
| 00:01:41,900 --> 00:01:45,440 | |
| God created the sky, | |
| separating it from the sea, | |
| 12 | |
| 00:01:45,560 --> 00:01:49,540 | |
| and Man covered the sky with ashes | |
| and corrupted the waters. | |
| 13 | |
| 00:01:52,640 --> 00:01:56,760 | |
| God, at the start of everything, | |
| first created light. | |
| 14 | |
| 00:01:57,540 --> 00:02:00,500 | |
| Jealous, Man created his own light. | |
| 15 | |
| 00:02:01,080 --> 00:02:03,420 | |
| However, God's light created life. | |
| 16 | |
| 00:02:03,960 --> 00:02:05,920 | |
| That of Man — death. | |
| 17 | |
| 00:02:11,420 --> 00:02:44,720 | |
| Residing within the confines | |
| of the pillars of creation, | |
| 18 | |
| 00:02:45,240 --> 00:02:48,260 | |
| God then created the answer | |
| to the light of Man. | |
| 19 | |
| 00:02:53,140 --> 00:02:57,000 | |
| February 12, 1991. | |
| 20 | |
| 00:03:30,000 --> 00:03:34,500 | |
| JORNAL LIBERAL | |
| [Liberal Journal — TV news program] | |
| 21 | |
| 00:03:36,370 --> 00:03:44,100 | |
| The Federal University of Pará was the scene | |
| of a mysterious event that intrigues | |
| the scientific community and defies | |
| all laws of nature and reason. | |
| 22 | |
| 00:03:44,720 --> 00:03:52,200 | |
| A singular pointed object was found | |
| on the university campus, and there was | |
| no logical explanation for the sudden | |
| appearance of this structure, | |
| 23 | |
| 00:03:52,580 --> 00:03:57,820 | |
| which simply appeared overnight, | |
| pointing at the sky | |
| like a giant buried finger. | |
| 24 | |
| 00:03:57,829 --> 00:04:06,560 | |
| The university canceled classes | |
| at the Professional Campus of Guamá | |
| to conduct an investigation into where | |
| this monolith emerged from amid | |
| the green pastures of the campus. | |
| 25 | |
| 00:04:07,320 --> 00:04:12,080 | |
| Talk about the "Nail," as it became known, | |
| quickly spread among | |
| the residents of Belém. | |
| 26 | |
| 00:04:12,600 --> 00:04:16,370 | |
| Imagination ran wild and all kinds of | |
| speculation were discussed, | |
| 27 | |
| 00:04:15,000 --> 00:04:19,500 | |
| Report by MILENE ROSE | |
| 28 | |
| 00:04:16,810 --> 00:04:20,000 | |
| from aliens to an affront | |
| by Mother Nature against humanity. | |
| 29 | |
| 00:04:20,709 --> 00:04:29,340 | |
| And the debate gained force throughout | |
| the city as the academic and scientific | |
| community worked to find answers | |
| to that supernatural enigma. | |
| 30 | |
| 00:04:25,000 --> 00:04:29,500 | |
| Footage by ARTHUR OLIVEIRA | |
| 31 | |
| 00:04:33,280 --> 00:04:37,480 | |
| Coming up: the population of Belém | |
| consumes contaminated pork. | |
| 32 | |
| 00:04:37,520 --> 00:04:38,659 | |
| You'll see it in a minute. | |
| 33 | |
| 00:04:35,000 --> 00:04:39,500 | |
| JORNAL LIBERAL | |
| 34 | |
| 00:04:50,000 --> 00:04:59,500 | |
| REPORT — UFPA | |
| After analysis of the collected samples, | |
| it was determined that the composition of | |
| the object's material is an unknown metal, | |
| bearing no resemblance to any other element | |
| present in the periodic table. | |
| 35 | |
| 00:05:00,000 --> 00:05:04,500 | |
| REPORT — UFPA | |
| Most concerning is the second element | |
| found in the metallic alloy compound — human flesh. | |
| 36 | |
| 00:05:05,000 --> 00:05:14,500 | |
| REPORT — UFPA | |
| Furthermore, after sample collection from | |
| the object, it began to emit a weak vibration | |
| at 19 Hz that can be felt within | |
| a 50-meter radius. | |
| 37 | |
| 00:05:20,000 --> 00:05:24,500 | |
| REPORT — UFPA | |
| Also, in the perimeter around it, | |
| a type of fungus began to grow — | |
| which is also made of human flesh. | |
| 38 | |
| 00:05:25,000 --> 00:05:29,500 | |
| PHOTO TAKEN ON 04/13/1991 | |
| 39 | |
| 00:05:30,000 --> 00:05:34,500 | |
| REPORT — UFPA | |
| We also discovered that the "nail" | |
| extends through a deep layer underground. | |
| 40 | |
| 00:05:40,000 --> 00:05:44,500 | |
| REPORT — UFPA | |
| Miners discovered an exposed | |
| piece of it in a cave. | |
| 41 | |
| 00:05:55,000 --> 00:05:59,500 | |
| [VHS FOOTAGE — PM 8243] | |
| [JUNE 25, 1991] | |
| 42 | |
| 00:06:09,950 --> 00:06:20,910 | |
| You know that iron cloud? | |
| 43 | |
| 00:06:21,310 --> 00:06:24,900 | |
| Yeah, it looks like a nail. | |
| 44 | |
| 00:06:24,930 --> 00:06:26,990 | |
| But are there creatures? | |
| 45 | |
| 00:06:27,290 --> 00:06:31,150 | |
| Dude, you didn't answer. | |
| 46 | |
| 00:06:32,150 --> 00:06:32,680 | |
| Not yet. | |
| 47 | |
| 00:06:32,680 --> 00:06:34,390 | |
| Dude, I just told you | |
| about this damn iron cloud — | |
| 48 | |
| 00:06:34,530 --> 00:06:38,000 | |
| the guys are already | |
| freaking the hell out. | |
| 49 | |
| 00:07:13,820 --> 00:07:17,850 | |
| For Giulia, for Lucas, | |
| and especially for the baby. | |
| 50 | |
| 00:07:19,290 --> 00:07:21,800 | |
| If I stay here I could put | |
| Giulia's pregnancy at risk. | |
| 51 | |
| 00:07:21,810 --> 00:07:23,389 | |
| I don't want to carry that guilt. | |
| 52 | |
| 00:07:15,000 --> 00:07:19,500 | |
| [BROADCAST TIMESTAMP] | |
| 53 | |
| 00:07:35,500 --> 00:07:42,070 | |
| You are now seeing live images from | |
| the capital of the state of Pará, where | |
| we can see an extraordinary scene. | |
| 54 | |
| 00:07:40,000 --> 00:07:44,500 | |
| ANOMALY HOVERS IN THE SKIES | |
| OF BELÉM — Pará | |
| [LIVE] | |
| 55 | |
| 00:07:42,490 --> 00:07:49,090 | |
| An immense, mysterious red cloud covers | |
| the skies of the city of Belém | |
| for approximately an hour and a half now. | |
| 56 | |
| 00:07:49,790 --> 00:07:55,150 | |
| We have on the phone | |
| reporter Stéphanie Nascimento, | |
| from our affiliate TV Liberal, | |
| for more information. | |
| 57 | |
| 00:07:55,670 --> 00:07:57,970 | |
| Good morning, Stéphanie. | |
| 58 | |
| 00:07:58,070 --> 00:07:58,970 | |
| Good morning, Cody. | |
| 59 | |
| 00:07:59,390 --> 00:08:05,850 | |
| At this time, there is no precise | |
| information about what caused | |
| this meteorological phenomenon | |
| to manifest. | |
| 60 | |
| 00:08:05,000 --> 00:08:34,500 | |
| STÉPHANIE NASCIMENTO | |
| Correspondent — Pará | |
| [LIVE] | |
| 61 | |
| 00:08:05,930 --> 00:08:15,170 | |
| The only thing known is that, | |
| according to reports, this cloud began | |
| to form after the Scarlet Obelisk — | |
| or as it is popularly known, the "Nail" — | |
| 62 | |
| 00:08:15,690 --> 00:08:22,050 | |
| displayed an abnormal vibration, | |
| according to monitoring | |
| by UFPA's Natural Anomalies Group. | |
| 63 | |
| 00:08:22,650 --> 00:08:30,530 | |
| It is also not yet known what the | |
| composition of these clouds is, nor what | |
| could happen if they were to rain, | |
| 64 | |
| 00:08:30,570 --> 00:08:32,630 | |
| and that is the greatest fear around here. | |
| 65 | |
| 00:08:32,750 --> 00:08:36,850 | |
| The streets are deserted. | |
| Everyone has gone inside their homes. | |
| 66 | |
| 00:08:36,870 --> 00:08:43,010 | |
| We have had reports from residents | |
| who are feeling a different smell | |
| in the air — a smell of rust. | |
| 67 | |
| 00:08:43,070 --> 00:08:51,850 | |
| Authorities are warning residents | |
| to seek enclosed, safe, and preferably | |
| elevated locations in case of flooding. | |
| 68 | |
| 00:08:52,450 --> 00:08:59,390 | |
| Authorities have also asked the population | |
| to follow any new information | |
| through television and radio. | |
| 69 | |
| 00:09:02,450 --> 00:09:10,290 | |
| Well, we can clearly see — it is | |
| frighteningly fast, the speed at which | |
| the clouds are moving through the city. | |
| 70 | |
| 00:09:05,000 --> 00:09:09,500 | |
| ANOMALY HOVERS IN THE SKIES | |
| OF BELÉM — Pará | |
| [LIVE] | |
| 71 | |
| 00:09:10,310 --> 00:09:13,790 | |
| Do you have any information | |
| about windstorms or anything | |
| of that nature, Stéphanie? | |
| 72 | |
| 00:09:19,640 --> 00:09:22,810 | |
| I believe we have lost contact | |
| with Stéphanie Nascimento. | |
| 73 | |
| 00:09:22,850 --> 00:09:26,950 | |
| I imagine the clouds must have covered | |
| the signal and prevented | |
| visual communication. | |
| 74 | |
| 00:09:27,530 --> 00:09:31,010 | |
| We are trying to reestablish contact | |
| with our affiliate. | |
| 75 | |
| 00:09:31,050 --> 00:09:35,590 | |
| And at any moment you will have | |
| live images again of the situation | |
| in Belém do Pará. | |
| 76 | |
| 00:09:44,230 --> 00:09:48,000 | |
| YASMIN RAMOS — Eyewitness | |
| 77 | |
| 00:09:48,000 --> 00:10:04,490 | |
| For two days, the rain didn't stop. | |
| 78 | |
| 00:10:05,990 --> 00:10:10,210 | |
| It kept falling torrentially | |
| until it became a storm. | |
| 79 | |
| 00:10:11,050 --> 00:10:14,790 | |
| We could only pray that God | |
| would put an end to the flood. | |
| 80 | |
| 00:10:27,470 --> 00:10:48,990 | |
| When the rain finally stopped, | |
| we heard nothing. | |
| 81 | |
| 00:10:49,050 --> 00:10:52,610 | |
| No voice, no siren, no radio — nothing. | |
| 82 | |
| 00:10:52,650 --> 00:10:57,350 | |
| The only thing we could see | |
| was the red that had stained everything. | |
| 83 | |
| 00:10:57,430 --> 00:10:59,530 | |
| The air was almost unbreathable. | |
| 84 | |
| 00:11:00,870 --> 00:11:02,770 | |
| It was like a slaughterhouse. | |
| 85 | |
| 00:11:03,050 --> 00:11:04,750 | |
| The smell was unbearable. | |
| 86 | |
| 00:11:05,750 --> 00:11:07,830 | |
| The entire city was covered in blood. | |
| 87 | |
| 00:11:08,790 --> 00:11:11,010 | |
| Completely bathed in blood. | |
| 88 | |
| 00:11:12,710 --> 00:11:13,950 | |
| Belém no longer existed. | |
| 89 | |
| 00:11:15,610 --> 00:11:17,310 | |
| Hell had taken its place. | |
| 90 | |
| 00:11:33,810 --> 00:11:37,270 | |
| My father and I managed to reach | |
| the highway in time | |
| to avoid the quarantine. | |
| 91 | |
| 00:11:38,410 --> 00:11:39,150 | |
| We were lucky. | |
| 92 | |
| 00:11:40,210 --> 00:11:42,590 | |
| Most of the cars | |
| got stuck in the floods. | |
| 93 | |
| 00:11:44,030 --> 00:11:47,090 | |
| Seeing the green, the forest, the skies — | |
| it was a relief. | |
| 94 | |
| 00:11:48,050 --> 00:11:50,270 | |
| We thought we had escaped the worst, | |
| 95 | |
| 00:11:51,790 --> 00:11:55,770 | |
| but we couldn't imagine | |
| that the worst was yet to come. | |
| 96 | |
| 00:11:55,890 --> 00:11:59,000 | |
| Only when we arrived in Marabá | |
| did we learn about the vibration. | |
| 97 | |
| 00:12:05,000 --> 00:12:19,500 | |
| PUBLIC MESSAGE — 10/08/1991 | |
| CONTINGENCY ALERT | |
| MESSAGE FROM HQ TO THE | |
| POPULATION OF PARÁ | |
| USE ONLY IN THE FOLLOWING CIRCUMSTANCES: | |
| EXTERNAL THREAT INVASION, | |
| ATOMIC BOMB, FEDERAL WAR, | |
| IMMINENT DESTRUCTION OF THE | |
| TERRITORY OF PARÁ | |
| 98 | |
| 00:12:10,000 --> 00:12:14,500 | |
| Attention, citizens of the State of Pará. | |
| 99 | |
| 00:12:15,000 --> 00:12:29,500 | |
| This is an official communiqué | |
| from the Brazilian Government. | |
| Unfortunately, we face an unprecedented | |
| crisis that puts at risk the lives and safety | |
| of all residents of the state. | |
| 100 | |
| 00:12:30,000 --> 00:12:44,500 | |
| After thorough analysis and monitoring, | |
| our specialists have determined that the | |
| State of Pará has been declared uninhabitable | |
| due to a threat of devastating proportions | |
| that assaults the region. | |
| 101 | |
| 00:12:45,000 --> 00:12:54,500 | |
| In light of this critical situation, | |
| the Brazilian Government issues a mandatory | |
| evacuation order for the entire population | |
| of the State of Pará. It is imperative that | |
| all residents leave their homes. | |
| 102 | |
| 00:12:55,000 --> 00:13:04,500 | |
| Do not make contact with any strangers | |
| who appear to be contaminated in any way. | |
| 103 | |
| 00:13:05,000 --> 00:13:09,500 | |
| Good luck. — Federal Government. | |
| 104 | |
| 00:13:05,000 --> 00:13:24,500 | |
| WARNING | |
| After various symptoms of the vibration | |
| were identified in inhabitants of the states of | |
| AMAPÁ, MARANHÃO, TOCANTINS, | |
| MATO GROSSO, RORAIMA, AMAZONAS — | |
| Quarantines will be enforced | |
| across all these states. | |
| It is advised that healthy citizens | |
| not make contact with persons | |
| carrying the respective symptoms. | |
| 105 | |
| 00:13:25,000 --> 00:13:34,500 | |
| SYMPTOMS: | |
| Malaise — Vomiting | |
| Red eyes — Burns — Insomnia | |
| Hair loss | |
| Nosebleeds — Accelerated aging | |
| 106 | |
| 00:14:13,760 --> 00:14:17,120 | |
| President Fernando Collor announced | |
| early this morning | |
| 107 | |
| 00:14:17,130 --> 00:14:19,850 | |
| the measures that will change | |
| the life of the country. | |
| 108 | |
| 00:14:20,210 --> 00:14:24,740 | |
| The announcement was made at a meeting | |
| with the Cabinet and party leadership. | |
| 109 | |
| 00:14:25,140 --> 00:14:31,420 | |
| Afterwards, he went to Congress, | |
| received foreign delegations, | |
| and still surprised many. | |
| 110 | |
| 00:14:32,040 --> 00:14:34,460 | |
| We have no alternatives. | |
| 111 | |
| 00:14:35,680 --> 00:14:38,560 | |
| Brazil will accept no more defeats. | |
| 112 | |
| 00:14:39,760 --> 00:14:42,620 | |
| Now it's win or win. | |
| 113 | |
| 00:14:43,640 --> 00:14:45,220 | |
| May God help us. | |
| 114 | |
| 00:14:55,000 --> 00:15:04,500 | |
| OPERATION MANICURE | |
| "God in His paradise — | |
| all is right with the world." | |
| 115 | |
| 00:15:05,000 --> 00:15:14,500 | |
| OPERATION MANICURE involves the | |
| neutralization and deliberate destruction | |
| of the Scarlet Monolith, with the intent | |
| of stopping its contamination | |
| and saving Brazil and the world. | |
| 116 | |
| 00:15:10,000 --> 00:15:19,500 | |
| The homeland is our beating heart, | |
| our collective identity, and the fertile soil | |
| that nourishes us. It is in this soil that | |
| our courage takes root, and it is this courage | |
| that drives us to face | |
| the most arduous challenges. | |
| 117 | |
| 00:15:20,000 --> 00:15:29,500 | |
| 1°28'29.7"S 48°27'10.1"W | |
| 11/09/1991 | |
| [Coordinates: Belém, Pará] | |
| 118 | |
| 00:16:20,000 --> 00:16:29,500 | |
| SUMMARY — DATE: 03/22/1992 — AEB | |
| After the sudden cessation of the | |
| Scarlet Obelisk's vibration on | |
| October 13, 1991, its contamination | |
| radius stopped expanding. | |
| 119 | |
| 00:16:25,000 --> 00:16:29,500 | |
| SUMMARY — DATE: 03/22/1992 — AEB | |
| On December 24, astronaut Kevin Kregel | |
| took a photograph during | |
| the Apollo 66 mission. | |
| 120 | |
| 00:16:40,000 --> 00:16:44,500 | |
| O CRAVO E A ROSA | |
| [The Thorn and the Rose — TV show] | |
| 121 | |
| 00:16:45,000 --> 00:16:49,500 | |
| SUMMARY — DATE: 03/22/1992 — AEB | |
| Upon approaching Neptune, the Voyager II | |
| probe took photos that were received | |
| by AEB on January 31, 1992. | |
| 122 | |
| 00:16:50,000 --> 00:16:54,500 | |
| [11/23/1991] | |
| 123 | |
| 00:16:55,000 --> 00:16:59,500 | |
| [12/05/1991] | |
| 124 | |
| 00:17:00,000 --> 00:17:04,500 | |
| [12/12/1991] | |
| 125 | |
| 00:17:05,000 --> 00:17:09,500 | |
| [12/19/1991] | |
| 126 | |
| 00:17:15,000 --> 00:17:19,500 | |
| [12/24/1991] | |
| 127 | |
| 00:17:25,000 --> 00:17:29,500 | |
| [12/31/1991] | |
| 128 | |
| 00:17:35,000 --> 00:17:39,500 | |
| [01/17/1992] | |
| 129 | |
| 00:17:45,000 --> 00:17:54,500 | |
| SUMMARY — DATE: 03/22/1992 — AEB | |
| The rogue planet, designated Thanatos, | |
| appears to emit the same frequency | |
| as that emitted by the Scarlet Obelisk. | |
| 130 | |
| 00:17:50,000 --> 00:17:59,500 | |
| SUMMARY — DATE: 03/22/1992 — AEB | |
| After mapping its trajectory, | |
| it is estimated that Thanatos | |
| will reach the vicinity of Earth | |
| on January 1, 2016. | |
| 131 | |
| 00:18:00,000 --> 00:18:08,160 | |
| SUMMARY — DATE: 03/22/1992 — AEB | |
| Voyager I also took one final photograph | |
| before leaving the solar system, | |
| at the request of astronomer Carl Sagan. | |
| 132 | |
| 00:18:01,240 --> 00:18:08,160 | |
| ♪ My love, what would you do | |
| if you only had one day left? ♪ | |
| 133 | |
| 00:18:05,000 --> 00:18:14,500 | |
| SUMMARY — DATE: 03/22/1992 — AEB | |
| This was the photo that arrived | |
| on March 18, 1992. | |
| 134 | |
| 00:18:09,080 --> 00:18:15,340 | |
| ♪ If the world were ending, | |
| tell me, what would you do? ♪ | |
| 135 | |
| 00:18:25,000 --> 00:18:34,500 | |
| PALE RED DOT | |
| 136 | |
| 00:18:35,000 --> 00:18:39,500 | |
| "Pillars of Destruction" segment | |
| written by LUCAS LEONAM | |
| 137 | |
| 00:18:40,000 --> 00:18:44,500 | |
| Director of Photography: | |
| LUCAS "CHEFE" PARIJÓS — KALEL PESSOA | |
| 138 | |
| 00:18:45,000 --> 00:18:49,500 | |
| Sound Direction: | |
| LUCAS "CHEFE" PARIJÓS | |
| 139 | |
| 00:18:50,000 --> 00:18:54,500 | |
| Editing and Post-Production: | |
| KALEL PESSOA | |
| 140 | |
| 00:18:55,000 --> 00:19:04,500 | |
| "O ÚLTIMO DIA" [The Last Day] | |
| Performed by PAULINHO MOSKA | |
| Composed by BILLY BRANDÃO & PAULINHO MOSKA | |
| Produced by PAULINHO MOSKA & NILO ROMERO | |
| 1995 EMI Records Brasil | |
| 141 | |
| 00:19:05,000 --> 00:19:09,500 | |
| Featuring JOÃO DAVI | |
| 142 | |
| 00:19:10,000 --> 00:19:14,500 | |
| And with narration by | |
| STÉPHANIE NASCIMENTO | |
| 143 | |
| 00:19:15,000 --> 00:19:19,500 | |
| Camera Operators: | |
| LUCAS "CHEFE" PARIJÓS | |
| KALEL PESSOA — ARTHUR OLIVEIRA | |
| 144 | |
| 00:19:20,000 --> 00:19:24,500 | |
| Sound Design and Mixing: | |
| KALEL PESSOA — ARTHUR OLIVEIRA | |
| LUCAS "CHEFE" PARIJÓS | |
| 145 | |
| 00:19:25,000 --> 00:19:29,500 | |
| Inspirations: | |
| THE MYSTERY FLESH PIT — Trevor Roberts | |
| NEON GENESIS EVANGELION — Hideaki Anno | |
| RECIFE FRIO — Kléber Mendonça Filho | |
| MELANCHOLIA — Lars von Trier | |
| 146 | |
| 00:19:30,000 --> 00:19:34,500 | |
| This film was made | |
| on a non-profit basis. | |
| 147 | |
| 00:19:35,000 --> 00:19:39,500 | |
| A film by | |
| KALEL PESSOA | |
| LUCAS "CHEFE" PARIJÓS — ARTHUR OLIVEIRA | |
| 148 | |
| 00:19:40,000 --> 00:19:44,500 | |
| THE END | |
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